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The question
was asked and I had to think somewhat about it. I asked my friends and got
varying replies of unknown. So I decided to find an answer to this befuddling
question.
Since college
started in 1967 and ended in 1971 I made a list of the top albums of those
years. Then I scanned what I have left of my record collection looking for that
one album that stands out from all the rest.
Being that
college is the time to grow up or at least experience freedom for the first
time and that the music of that period was pretty powerful this was going to
take some real research.
By the
beginning of college, the summer of ’67, the Beatles has already released “Sgt.
Pepper’s Lonely Hearts Club Band” which ended the British invasion pop.
The Stones
answered with “Their Satanic Majesties Request” while waiting their drug
charges and The Who stopped playing James Brown covers and produced the
mini-opera in “The Who Sell Out”.
New
psychedelic sounds were making waves. The Small Faces released the trippy
“Itchycoo Park” and Pink Floyd in “The Piper at the Gates of Dawn” presented
strange echo sounds in long drawn out songs. Album production was becoming much
more intense and the sounds produced were not like anything heard before. An
American guitarist who went to England and came back as the Jimi Hendrix
Experience producing “Are You Experienced?” with sounds that could only be felt
live the next year.
From the west
coast came the sweet harmonies of the Jefferson Airplane “Surrealistic Pillow”
and rhythmic changes that Love introduced in their jazz-fusion “Forever
Changes”. I was introduced to Jim Morrison’s poetry in “The Doors” as a
birthday present.
New York
brought the raw city sounds of the Velvet Underground and their leather
feedback under junkie lyrics.
As hair grew
longer and new people brought new elements and experiences the music was the
background soundtrack.
By 1968, the
music was getting more powerful and maybe a little darker due to the politics
of the time. Elvis was still king. Merle Haggard and Johnny Cash were leaning
from the country sound to the pop sound. Fleetwood Mac and Them were
still covering the blues sound, but the horn sound of Blood Sweat and Tears was
enlarging the sound. Frank Sinatra and Duke Ellington were singing together.
While Blue
Cheer broke the sound barrier and had to be recorded on a pier for “Vincebus
Eruptum”, Vanilla Fudge did long covers of “The Beat Goes On” and The Mothers
were “Only In It For The Money”. The United States of America came out
with an interesting sound in an album “The United States of America”. I don’t
think I still have that album. The Electric Flag with Mike Bloomfield’s bluesy
guitar and sleepless nights presented “A Long Time Comin’” and The Move were
still a strong bass and drum mover when they released “The Move” while Joni
Mitchell had a “Song to a Seagull”. Moby Grape, an unappreciated band turned
out their second LP “Wow/Grape Jam”. Sly & the Family Stone started a
new groove with “Dance to the Music” and the Amboy Dukes continued the drug groove
with “Journey to the Center of the Mind”.
Frank and the
boy’s gravy became lumpy so I’m glad they didn’t pour it over “Ogden’s Nut Gone
Flakes” by the Small Faces. Great album and great packaging but never hit
the billboard chart. Herb Alpert & the Tijuana Brass was presenting
light jazz with covers of girls in whip cream and two men and two women from
California presented “The Mamas and The Papas” and Monterey Pop.
Iron Butterfly
did a sloppy drunk song for “In-A-gadda-Da-Vida” as Pink Floyd continued their
mystery music journey with “A Saucerful of Secrets”. Pentangle was bringing
back the English folk feel and a Californian songwriter was becoming present
with “Randy Newman”. The Grateful Dead was doing some trippy experimentation on
their second album “Anthem of the Sun” as were The Moody Blues with “In Search
of the Lost Chord”. Some live albums were taking form like the “Super Session”
of Mike Bloomfield and Al Kooper and Stephen Stills. Then a strange
broadway soundtrack hit that tried to capture the feeling of the times called
“Hair”.
The Byrds had
become cowboys, Donovan wasn’t sure where he was, James Brown was burning up
the Apollo, George Harrison was experimenting with “Wonderwall” soundtrack and
electronics that were being produced by the synthesizer.
The Beatles
put out a conglomeration of the “White Album” , The Kinks were at the “Village
Green Preservation Society”, The Nice covered classical with a punch in “Ars
Longa Vita Brevis” , John Mayall wandered into “Blues from Laurel Canyon”,
Bonzo Dog Doo-Dah Band had “The Doughnut in Granny’s Greenhouse” and the
Mothers of Invention went “Cruising with Ruben and the Jets”.
James Taylor
brought his sweet baby face and Stevie Wonder brought a funk “For Once in My
Life” and the Stones were having a “Beggars Banquet”. The Monkees were trying
to be hip(py) with “Head” but they were too cute and it was too late.
The Soft
Machine, an early jazz-fusion band that front Jimi Hendrix, made an album of
the show I saw and took about 40 years to find another copy.
By 1969
politics had taken over the music and the media. The Beatles were riding their
“Yellow Submarine” and working through their last studio album “Abbey Road”,
Three Dog Night brought an early disco sound, Led Zeppelin brought the heaviness,
while many bands couldn’t figure where to go so they came out with “Greatest
Hits” albums. The Byrds and Bob Dylan went country with The Band, the Byrds,
Buffalo Springfield and the Hollies offered up Crosby, Stills, Nash and Young.
The Who extended their rock opera theme with “Tommy” and the theatrics of rock
started cross-dressing with Alice Cooper, David Bowie and Elton John? The Nice
continued the classical organ sound with “The Nice”, Zappa did a solo jazz
album called “Hot Rats”, Elvis moved from Memphis to Vegas, Pink Floyd produced
a double LP “Ummagumma” which is probably the best trip album, and King Crimson
came onto the scene “In the Court of the Crimson King”. Southern rock
started changing the forms with The Allman Brothers Band and the Grateful Dead
started recording live concerts with “Live/Dead”. John Lennon showed the split
with his former group on the “Wedding Album” with Yoko Ono. Steppenwolf called
out to the “Monster” and Jefferson Airplane shouted out for “Volunteers” but finally
the Rolling Stones wrapped up the years with “Let It Bleed”.
Then Diana
Ross presented the Jackson 5 and Merle Haggard called for the “Okie from
Muskogee”.
By 1970 the
music industry was in a fog of what to do next. They presented crazy people
like Syd Barrett’s “The Madcap Laughs” while hanging on to old favorites like
Loretta Lynn. The Mothers were back singing about hot dogs with “Burnt Weeny
Sandwich”, while the music started to mellow with James Taylor “Sweet Baby
James” , Joni Mitchell’s “Ladies of the Canyon” and the Nitty Gritty Dirt
Band’s “Uncle Charlie & His Dog Teddy”. Paul answered John with
“McCartney”. Jefferson Airplane broke into acoustic blues with “Hot Tuna” and
the Grateful Dead went country with “Workingman’s Dead”. Steeleye Span, an
English folk/rock group, started bringing back the old mountain songs with
“Hark! The Village Wait” and Pentangle joined in. Former front man for the
Faces, Rod Stewart, brought his rough voice to “Gasoline Alley”. The
jazz-fusion “Supertramp” came out and Traffic made the memorable “John
Barleycorn Must Die”.
The Rolling
Stones were getting their “Ya-Yas Out” (which is what they learned to do, one
studio album then a greatest hit album then another studio album then a live
concert album) and Mick was making another movie “Performance” while Frank was
getting his “Chunga’s Revenge”. George Harrison thought “All Things Must Pass”
and the Kinks thought that “Lola versus Powerman and the Moneygoround” was the
best way to fight the industry.
Slade, the
first English punk band if you bypass the Who, said, “Play it Loud”. Kraftwerk
took the electronic keyboard to new heights and a forward thought into the 80’s
sound while Miles Davis was playing at the hippy places like “Live at the
Fillmore East”. Even a slide guitar player like Ry Cooder started to make an
impression on Mex/Tex sound.
In 1971 I was
trying to get my footing. I wasn’t going to be drafted before women and
children, I was about to graduate college, I was getting my first real job and
I was getting married. I was trying to find some stability in my soundtrack.
Some artist
like Janis, Jimi, James, and Brian were leaving but Elvis lived on. Other
originals like Johnny Cash and Jerry Lee Lewis kept pumping out the sounds that
were familiar but there was this new funky dance beat coming from Kool
& the Gang “Live at the Sex Machine”. Stevie Wonder grew up, The
Jackson 5 danced, and even the Temptations joined in.
Carol King
came out with “Tapestry” and all the ladies felt the beginnings of the women’s
movement. Yes brought out a huge sound that wasn’t a guitar band or a keyboard
band in “The Yes Album”. The Soft Machine turned from jazz-fusion to a
jazz band. Even Mary Travers of the old Peter, Paul and Mary folk days tried a
single album called “Mary”.
The Rolling
Stones did another compilation “Stone Age” until they got “Sticky Fingers” then
another compilation “Hot Rocks 1964-1971”, Jethro Tull breathed through their
“Aqualung” and Harry Nilsson found “The Point!”. John Sebastian put out a
wonder single live show called “Cheapo-Cheapo Productions Presents Real Live
John Sebastian” and The Nice ended their career with “Elegy” until Emerson,
Lake and Palmer presented “Tarkus”. What was left of the Move turned into
The Electric Light Orchestra?
The Pink Floyd
did a compilation “Relics”, former Beatle Paul McCartney and his wife Linda
started what would be Wings in “Ram” and television was full of the Carpenters,
Partridge Family, the Osmonds, Cowsills and Jackson 5 all presenting a
commercial none-threatening sound. Music was getting soft.
Everyone from
Aretha Franklin to the Mothers of Invention were recording at one of the
Fillmore halls while the Who wondered, “Who’s Next”? The Mahavishnu Orchestra
brought a faster jazz-fusion sound while Gentle Giant calmed us down again.
Dolly Parton had a “Coat of Many Colors” and Frank Zappa had “200 Motels”.
Then Elvis
started singing Christmas music with “Elvis Sings The Wonderful World of
Christmas” and Bob Dylan came out with “Bob Dylan’s Greatest Hits Vol. II”.
So what was my
favorite album from those years in college? You’ll never guess.