Beatles
release “Sgt Pepper's Lonely Hearts Club Band” in the US, goes on to spend 15
weeks at number one, Aretha Franklin’s “Respect” reaches #1, Monkees take home
an Emmy for their Outstanding comedy Series, 6-day war between Israel &
Arab neighbors begins, Race riot in Tampa Florida, Race riot in Buffalo NY,
Race riot in Cincinnati Ohio, National Guard mobilizes, US Supreme Court
unanimously ends laws against interracial marriages, 50,000 attend Monterey
International Pop Festival, China becomes world’s 4th thermonuclear (H-bomb)
power, 400 million watch Beatles “Our World” TV special, Mohammed Ali (Cassius
Clay) sentenced to 5 years convicted of refusing induction into armed services,
Keith Richards is sentenced to 1 year in jail on drugs charge and I graduated
from high school.
Now 50 years
later there is all this talk about the Beatles’ “Sergeant Pepper’s
Lonely Heart Club Band” album and how it changed the world. Sure it was
somewhat revolutionary with the cover of faces but the tunes were still
sing-a-long ditties we expected from the Fab Four. Several other pop cultural
artist cloned the new wave of tunes about girls, drugs, girls, more drugs and
more girls but it was the original everyone referenced as being ‘mind blowing’.
A few years
later with hundred of listens and a few experiences under my belt I decided to
do my own take on this iconic vinyl. I expected Frank Zappa to ballyhoo with
his outrageous cover copy but he went in a different direction.
Not to mock
the original but to take a different twist on reality I listened and copied
lyrics and strum my guitar to get the rhythms and chord changes. With a 4-track
tape-recorded I sat in the basement making my own spin on what was to become
the incredibility difficult to find in any record store version of Mop Top’s classic.
The title and
song list matched everyone of the original Abbey Road recording but with a few
up-dated features.
‘Private Salt’s’ starts by telling the
audience not to listen to the album, and then turns to Silly Peels who says he
will hate to sing the song for it will be out-of-tune in ‘Sing It Again’. ‘Burning A
Mole’, a take off of the tattoo culture, speaks of longs nights,
masturbation and gay bars. Death is described in ‘Juicy In Your Eye with Grapefruit’ as a wasted body is thrown in a
garbage disposal. ‘Getting Worse’
takes a journey into necrophilia, LGBTQ, breaking rules, family depravity and a
reminder that this terrible music will continue. The next cut is a turn to
strippers/prostitutes who give ‘Mister
Blight’ their dough while voyeurism their obscenity. Bigotry rises up in ‘Without Them’ removing unwanted
neighbors.
Since there
isn’t a pause to catch your breath before flipping the vinyl over, the
punishment continues with child abuse in ‘Almost
4’. The anger of civil servants doing their jobs is detailed in ‘Ugly Greta’. ‘Baby Too-night’ presents male degradation of relationships and
consequences. Another take is the femme fatale who never leaves home turning
tricks at seedy bars as her parents grow older in ‘She’s Coming Back’. Nothing like a rousing ending of watching a
policeman murdered on television on ‘Turn
You Off’.
So for a
nominal investment you too can listen to the entire musical experience without tangerine
trees and marmalade skies or marshmallow pies. Close your kaleidoscope eyes and
get a jolt of the real world for only a penance.
https://soundcloud.com/pvtsalts
You can order
the lyrics separately but you must be 18 or older.